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About

A brutal criticism of the “legendification” process; we explore the interaction between the story-teller, the raconteur, the ‘town crier’, and the listener; and therefore re-frame the relationship between them.  Passive and ‘faceless’, the observer is suddenly, and inadvertently, made a part of the dialectic, in this surreal and abstract re-evaluation of this the story that has perhaps been told the most. After all, do we not all create legends of our own? Heroes and heroines who live in the mystical land of dragons and quests, of corporate success, of love, of happiness?

Reviews

George and The Dragon” is an extremely courageous film, which seeks new ways to assert its identity, opposed to the narrative conventions of contemporary cinema. In fact, this disturbing eight-minute short film breaks every cinematographic rule and scheme, and develops as a short but intense nightmare in which reality is translated into a completely new language.

-Rome Prisma Awards

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